![]() I think it is a pretty cool pedal to have and use too. If the whole auto‑wah effect appeals to you, the AF 201 is certainly worth checking out. There are tons of demos out there for this pedal, so instead of making a demo or tutorial, I decided to make this video showcasing the few different ways I u. Good luck trying to find one of these in good working condition at a reasonable price. The typographic font used for the model name is pretty groovy too. ![]() Like all Ibanez ‘0’ series pedals, the AF 201 is very robust with its solid, heavy die cast zinc casing. Sadly, there is no box or manual with this one. This particular 1981 vintage pedal with the black ‘Made in Japan’ label is in very impressive all‑original condition for its age and all the controls work perfectly. It is worth making an investment in time to explore the permutations available, as there are some great funky vowel‑like sounds to be discovered. Some combinations of settings are knockout while some permutations are subtle and much less effective. The downside of such flexibility is the need to familiarise oneself with the interdependent possibilities in order to be able dial in just that right tone to recreate a specific situation again and again. The analogue AF 201 provides guitarists and bass players alike with 5 controls comprising 2 sliders and 3 switches to fine tune the Auto Filter’s signature sounds and to access an almost unlimited range of convincing auto‑wah sounds. Wowee! Or should that be, whawee! Now this is one rare and highly collectable little beast and, take my word, it is well worth that expensive exclamation mark! This is a 1981 Ibanez AF 201 Auto Filter in a funky cool orange hue. To‑date, Ibanez has not sought to reissue the Auto Filter, making them quite pricey on the vintage market. The AF 201 was superseded by the Ibanez AF9 from c.1982 alongside a Maxon‑branded, AF‑9 version. Other than the company’s Graphic Equaliser pedals (GE 601/GE9), the AF 201 is unusual in the Ibanez line up in that there are no control knobs to play with, only sliders and switches. ![]() The AF 201 is probably less familiar than competing models from Boss (Touch Wah/T Wah), Electro-Harmonix (Zipper/Doctor Q) and MXR (Envelope Filter). The auto‑generated wah‑type effects were popular in the late 1970s and early 1980s, particularly with funk and rhythm‑centric beats – it certainly produces very evocative sounds that are very much of its time. The AF 201 is an envelope filter producing various auto‑wah sounds loosely based on the pioneering Musitronics Mu‑Tron III. Its design belongs to the same relatively short‑lived ‘0’ series pedals as Ibanez’s most famous pedal, the TS‑808 Tube Screamer, characterised by the distinctive square footswitch. The AF 201 falls into ‘well-kept secret’ territory and is relatively hard to find on the vintage market. The Ibanez AF 201 Auto Filter is a relatively scarce effect pedal from Japanese giant Ibanez and manufactured by their business partner, Maxon.
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![]() It is designed to protect buyers and renters of property from discrimination by landlords, sellers or financial institutions. The law applies to property owners, rental managers, real estate agents, landlords, developers, banks, builders and individual owners who are renting or selling their property. Today, the Fair Housing Act covers apartments, mobile homes, condos, houses and vacant lots that will be used for housing. HUD received enforcement responsibility by the Fair Housing Act, a law enacted in 1968. Department of Housing and Urban Development (HUD). is a place of opportunity and to prevent segregation and discrimination.Įqual housing law is enforced and administered by the Office of Fair Housing and Equal Opportunity (FHEO). » MORE: Best mortgage lenders for first-time buyers Equal-opportunity housing lawsĮqual-opportunity housing laws were created to make sure every neighborhood in the U.S. “Magically, my mortgage was quickly approved and processed.” “Once I said ‘Hey gang, does this sound like Age Discrimination to you?’, then things got A LOT better,” they said. At 63 and financially able to buy a home, they felt the underwriters were making the process take a lot longer than it should have been. One ConsumerAffairs reviewer from Minnesota felt they were being discriminated against due to their age. An example of discrimination and unfair treatment is when a property manager refuses to rent a condo or apartment to a single woman but will rent it to a single man. Mortgage discrimination is strictly against the law. It means that every person has a right to fair judgment and treatment when it comes to housing and mortgage financing options. ![]() What does equal-opportunity housing mean?Įqual-opportunity housing is the idea that all people should be given the same chances and rights when it comes to choosing housing. Department of Housing and Urban Development or your state's fair housing agency. If you believe you have experienced housing discrimination, you can file a complaint with the U.S.Fair housing laws also protect families with children from discrimination, such as being denied housing because of the presence of children.Even with fair housing laws, housing segregation can lead to unequal access to resources and opportunities, making economic and social inequality worse.When people feel welcomed and are treated fairly, they're more likely to take pride in their homes and communities, make deeper connections with their neighbors and invest in local businesses, which helps the community thrive. Equal-opportunity housing initiatives and equal housing laws are a solution to unfair treatment of and discrimination against homebuyers and renters in the U.S. Equal-opportunity housing means everyone has equal opportunity to be considered for the purchase or rental of property. Everyone deserves a place to call home, regardless of gender, sexual orientation, race, religion or disability. ![]() With the Clippers leading 153-150 with only 8.5 seconds left in regulation and coach Tyronn Lue opting not to foul, Westbrook guarded inbounds passer Malik Monk, then turned his head to watch De’Aaron Fox dribble long enough to lose Monk beyond the far three-point line. Sacramento Kings guard De'Aaron Fox, left, celebrates after scoring during the second half Friday. Westbrook closed a breakneck first half with a left-handed finger-roll layup, then his drive in transition created enough room to dump off a pass to Norman Powell, whose three-pointer set a Clippers season high for points before halftime, at 80. He tried setting screens, so often a rarity of his game, even if they led to a pair of illegal defense calls, and pushed the ball upcourt when given a sliver of room. ![]() Just as important was what he cut out - the pull-up jump shots that rarely fell during his season-and-a-half in purple and gold. Westbrook cut into the lane with his drives, drawing a foul on his first foray into the paint. Sacramento leads the season series 2-1, with their final matchup next week. The Kings (34-25) remain third in the West, two spots ahead of the Clippers (33-29), but they are now separated by 2½ games. This was no minor stage on which to debut a new starter in Westbrook. What followed was the second-highest scoring game in NBA history, a 176-175 fever dream of points and pace displaying one improbable Sacramento Kings win, two overtimes, defense that wouldn’t have looked out of place in Sunday’s All-Star Game, Kawhi Leonard’s entire offensive arsenal en route to a season-high 44 points and the full Westbrook experience - his imprint left all over the debut of his fifth team in five seasons in ways that ran the spectrum from positive to puzzling. Situated within new digs and a new offense and surrounded by new teammates, the former Laker and newest Clipper prepared for his first opportunity to show a new side: One in which the former most valuable player could quell his most damaging traits, emphasize his most useful, all while raising the Clippers’ potential. White AirPods in his ears, his gaze locked onto the Sacramento highlights playing on a locker-room television, Russell Westbrook bobbed his head Friday night at a locker a few feet down the Arena hallway from his old one. ![]() Clippers forward Kawhi Leonard, left, shoots over Sacramento Kings forwards Domantas Sabonis and forward Harrison Barnes during the first half of a 176-175 double-overtime loss Friday at Arena. |
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